-
Recent Posts
Categories
- African photography
- American photography
- Art Fairs / Festivals
- Asian photography
- Awards
- Book of the Week
- Book reviews
- Collecting
- Contemporary art
- European photography
- Events
- Exhibition reviews
- Existentialist photo-ramblings
- eyecurious News
- Interviews
- Japanese photography
- Latin American photography
- Magazines
- On a lighter note
- One to watch
- Photo-books
- Photo-journalism
- Projects
- Tangents
Archives
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
- October 2010
- September 2010
- August 2010
- July 2010
- June 2010
- May 2010
- April 2010
- March 2010
- February 2010
- January 2010
- December 2009
- November 2009
- October 2009
- September 2009
- August 2009
- July 2009
- June 2009
- May 2009
- April 2009
- February 2009
Tumblr
-
RSS
Monthly Archives: October 2009
The Aftermath Project
I recently received a copy of War is Only Half the Story, Volume II, a publication by The Aftermath Project run by the photographer Sara Terry. The Aftermath Project is a non-profit organization that aims to tell “the other half of the story of conflict” through photographs of post-conflict situations. This latest publication includes work [...]
A slope with a view
There is a great story in yesterday’s New York Times on a small neighbourhood group in Tokyo, the Society to Protect Nippori’s Fujimizaka, that are trying to preserve one of the capital’s last remaining views of Mount Fuji. This is a classic David versus Goliath story, where a handful of OAPs from Nippori are struggling to [...]
Jan Koster, Havana
Jan Koster (1959) is best known for his photographs of the Dutch river landscape. In this new project, Koster has abandoned domestic fluvial bliss for the streets of Havana. Havana has to be one of the most photogenic cities of the world, but thankfully Koster doesn’t overdo it on the gorgeousness and the colour. These images [...]
Liu Bolin
Liu Bolin paints his body, or that of his subjects, into an illusion of invisibility for his photographs of his native China. This could have ended up being a pretty shallow artifice, but I like the way he puts it to use to create a sense of the invisibility of the individual in contemporary China [...]





Review: Michael Kenna @ BNF