20 years of Savignano Immagini

Italy’s Savignano Immagini Festival (SI Fest) in the small town of Savignano sul Rubicone is celebrating its twentieth year. I’ve just spent two days at the festival and it has come a long way from its humble beginnings. Curators Massimo Sordi and Stefania Rossi have helped to turn a local photojournalism-focused festival into a far more international event that aims to keep up with contemporary photographic trends. With a Miroslav Tíchy retrospective, a clever presentation of Michael Wolf’s Tokyo Compression series, solo shows of Rob Hornstra’s Sochi project and Bernard Fuchs roads and paths, a ‘global’ group show on the theme of occupancy, and a lot more, they have put together a genuinely interesting mix of work around the theme of fragility.

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Interview: Yannick Bouillis, Founder of Offprint Paris

Offprint Paris 2010 (© Gallery Fotohof Salzburg)

Yannick Bouillis, a former journalist and bookseller from France, is the founder of Offprint Paris, “a project space for contemporary photography and a book fair for independent publishers.” He also recently organised the Amsterdam Art/Book Fair 2011 in collaboration with De Brakke Grond Amsterdam. I interviewed him over the summer to find out more about the second edition of Offprint Paris coming up in November, his thoughts on photobooks today and why the Dutch are so damn good at making photobooks.

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Picture this!

Linus Bill's answer to the question "If you weren't a photographer what would you be?"

Linus Bill's answer to the question "If you weren't a photographer what would you be?"

The creative website of the franco-German TV channel Arte has started a great little weekly series of interviews with ‘emerging’ photographers entitled Picture this! The interviewees are not the usual suspects (I will confess I only recognised 2 or 3 names on the list), but it’s the format of the interviews that is the real hook: the interview follows a standard 10-question format which is to be answered… in pictures. This often leads to visual gags, but it’s interesting to see how the character of a photographer can emerge from such a small selection of pictures.

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Fototazo guest post

Marie Quéau from the series Gojira

Marie Quéau from the series Gojira

I have just done a short guest post over on the fototazo blog. fototazo has asked a group of 50 curators, gallery owners, blog writers, photographers, academics and others actively engaged in photography to pick two photographers that deserve (more) recognition – the underknown, the under-respected as well as not-appreciated-enough favorites. For my guest post, I selected Marie Quéau and Erik van der Weijde. Check out the post here and look out for an interview with Marie Quéau, coming up soon on eyecurious.

Linus Bill / Erik van der Weijde: Linus’ family in Switzerland and Erik's family in Brazil.

Linus Bill / Erik van der Weijde: Linus’ family in Switzerland and Erik's family in Brazil.

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Scratch-and-sniff

The latest Vice Photo issue has just come out weighing in at a hefty 210 pages with images from everyone and his dog, including ‘dirty old men’ and Vice regulars Terry Richardson, Richard Kern and many others with some rather predictable results (sex, booze, drugs, androgyny, neo-hippyism, YOUTH) as well as some even-more-disgusting-than-before-but-strangely-compelling imagery from Asger Carlsen and one terrific little portfolio by Jason Fulford which stands head and shoulders above the rest in my view. Maybe this is a sign that I am turning into a nostalgic old man, but I have to admit that the thing that really excited me about this issue (and is the reason for this post) is that the cover (image by Jim Mangan above) is scratch-and-sniff. This is the first photo-publication I know of that uses this magical and sadly forgotten technique and for that, Vice magazine, I commend you. Choose from banana, cherry, coffee, weed, something called “Ocean Mist” and coconut (this last one isn’t listed on the press release but I’m convinced it’s in there, or at least that they printed the whole magazine on coconut-scented paper). Sadly this blogpost is not scratch-and-sniff (I can’t believe there is no WordPress plugin for this), but the magazine is free so you have no reason not to go out and get a copy. Scratch-and-sniff everything forever.

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You like this

Just as Google launches, Google+, it’s latest attempt at a social network and an attempt to lure people away from Facebook, I thought I would share a piece that I have written for the latest issue of European Photography (which comes out today) that deals with the impact of blogs and social networks on the way we consume and understand photography. If you are interested in looking further into the online photography world I also recommend checking out the previous issue of European Photography (no. 88) on ‘Net Photography’ which investigates some of the trends in photography that is being produced specifically for and distributed through the web.

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I have no words for what I saw there

Kaho Imai, Watanoha Elementary School

Kaho Imai, Watanoha Elementary School

After the earthquake and subsequent tsunami struck the Tohoku region of region on 11 March 2011, the photographer Aichi Hirano decided to distribute 50 disposable cameras to the people in the shelters around Ishinomaki. He succeeded in retrieving 27 of these 50 cameras and subsequently published the results on a website created for the project www.rolls7.com This is a piece I wrote about the Rolls Tohoku project. It was first published in Foam magazine issue #27, ‘Report’, which has just been released (the issue is really an fascinating exploration of what reporting means in photography today… don’t miss it). This summer the museum of photography in Stockholm, Fotografiska, will be exhibiting the Rolls Tohoku project from 7 July to 28 August. Rolls had a deep impact on me (as you will see from the following) and I urge you to take the time to spend some time looking at these photographs.

Update: a Japanese translation of the text is now available on Foam’s website.

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What’s Next?

I’ve just written a piece for the magazine European Photography in which I touch on the lack of substantial online discussion on current trends in photography and where things are going. I’ll be posting the piece on eyecurious soon, so I won’t go into detail here, but in general my feeling is that although online activity on photography is growing by the day, it is becoming commensurately shallower as a result. Fortunately there are examples which buck the trend. Foam, the Amsterdam photo-museum, has recently added What’s Next? to its expanding range of content. What’s Next? is a supplement to Foam’s quarterly magazine but also an online discussion forum which is designed to spark discussion on current trends and how they are affecting the development of photography. The museum recently organised an expert meeting in Amsterdam around the What’s Next project with an impressive line-up including Charlotte Cotton, Fred Ritchin, Thomas Ruff, Joachim Schmid and many others (you can see a number of the presentations from the meeting on Foam’s youtube channel). Although the design of the site messes with my eyes and head a little bit, there is some terrific content on here running from photobooks to photojournalism. As a blogger I find that the most satisfying experiences writing online are those which spark a discussion, debate or even an argument. If you are interested in any of the above, I highly recommend a visit to What’s Next?

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Review: Tokyo-e @ Le Bal

Keizo Kitajima, Photo Express Tokyo

Keizo Kitajima, Photo Express Tokyo

Le Bal‘s Japanese summer season continues this week with the opening of the exhibition Tokyo-e, which brings together work by Yutaka Takanashi and Keizo Kitajima with a series by an almost complete unknown photographer, Yukichi Watabe, a photojournalist who worked in Tokyo. The three groups of work on show are very different, related only through their strong connection to the Japanese capital. Although this selection seems a little arbitrary (as is almost inevitably the case with city-based shows), Tokyo-e is a rare opportunity to see an exhibition that goes beyond the ever-popular Moriyama, Araki or anything-from-Provoke choices. Tokyo-e only opens officially tomorrow, but here’s a little sneak preview to whet the appetite.

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Eikoh Hosoe: Theatre of Memory @ AGNSW

The Butterfly Dream

The Butterfly Dream

I’ve just come back from a ridiculously short trip to Australia for the opening of Eikoh Hosoe: Theatre of Memory at the Art Gallery of New South Wales. This is Hosoe’s first solo show in Australia and his first trip there. In addition to having the master himself present, he came accompanied by Yoshito Ohno, the butoh dancer and son of Kazuo Ohno, the co-founder of butoh who passed away last year at the age of 103. Here’s a quick behind the scenes glimpse at the opening week of the show.

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