Review: Adriaan van der Ploeg, Mont Purgatoire

After Mariken Wessels‘ two mysterious tomes (one of which was reviewed here) which seemed to make most ‘best of 2010′ photobook lists, our Dutch friends have done it again and produced a book which really should not exist. I couldn’t help but try to imagine this book idea being pitched to any halfway-sane book publisher, “I want to do a big, 150-page book of portraits of out-of-shape, middle-aged men who try to cycle up this mountain that most people have never heard of, but which has a cool name. The portraits will all be taken from the same head-on perspective with some kind of telephoto lens, they’ll be tightly cropped and really flat and even out of focus sometimes because they’re cycling up a mountain and the guys will all be sweating and in varying degrees of pain. Oh and as a bonus feature, I’ll throw in a promotional website with a background video of one of the cyclists throwing up on the side of the road while some other guys ride past him.” 99% of the time he would literally be escorted out of the building, possibly with a restraining order thrown in for good measure, and yet the good people of Habbekrats decided that there was some part of this project that was actually a good idea. The funny thing is that they were right.

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Notes on 2010

Some self- or independently published photobooks from 2010

Some self- or independently published photobooks from 2010

As the year draws to an end and more top-10 lists (and non-lists) than you can wave a stick at make their annual appearance, I thought I would take a broader look back at the past year in photography. This time last year I focused on the chronic over-use of the word curating, a trend which shows no signs of abating. As for 2010, the major development in the world of photography has to be the exponential rise of the self-published and independent photobook.

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Review: Mariken Wessels, Queen Ann. P.S. Belly Cut Off

Mariken Wessels, Queen Ann. P.S. Belly cut off

Mariken Wessels, Queen Ann. P.S. Belly cut off

From the moment you hear its title, it becomes clear that Queen Ann. P.S. Belly cut off is not going to be an ‘easy’ photobook. By ‘easy’ I mean a book that gives itself to you on first viewing, immediately hitting all the right buttons. To use one of my favoured musical analogies, in the case of LPs (when people still used to listen to those) people often talked about growers, records that required several listens before your ears became accustomed to their particular register or sonic world.

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Interview: Chris Engman, Freedom, possibility and a desire for purity

Chris Engman, The Meeting, 2004.

Chris Engman, The Meeting, 2004.

Chris Engman‘s series Landscapes is based on the vast open spaces of Washington State outside of Seattle, where Engman lives. The title of the series, just like the images themselves, suggests one thing, while revealing many others. He has a show on at the Greg Kucera Gallery in Seattle until Christmas Eve 2010. This interview with Engman was done for the Talent Issue (#24) of Foam magazine which came out in September 2010.

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Book of the Week #5: Mexico, D.F.

Mexico D.F.

Mexico D.F.

I have been hearing a fair amount of whispering of late about Martin Parr’s forthcoming project on Latin American photobooks, which will, “with one book, completely re-evaluate how people think about Latin America“. Whether it can live up to these lofty ambitions remains to be seen, but with Parr in the driving seat, there is no doubt that we can expect to see an explosion of interest in Latin American photography next year. So in an attempt to stay ahead of the curve, I’m featuring this 2004 book on Mexican photography, Mexico D.F. The book is about the city of Mexico and doesn’t stick strictly Mexican photography (Jean-Marc Bustamente and Miguel Rio Branco are amongst the guest appearances). It covers a lot of ground and the quality of the work included is uneven, but for me, aside from the better known photographers like Iturbide or Metinides, the book’s strength are its hidden gems, like Romero’s cut-out cast of characters. Like all of Toluca‘s books, the design is impeccable, but I would have liked to have more resources beyond a 2-line bio for each photographer. If you’re looking for an introduction to one of the big photographic nations of Latin America, you could do a lot worse… for the moment anyhow.

Mexico, D.F. with work by Ivan Alechine, Mauricio Alejo, Mario Bellatin, Jean-Marc Bustamente, Antonio Caballero, Miguel Calderón, M. A. Cruz, Milagros de la Torre, Héctor García, Maya Goded, Dominique Gonzalez-Foerster, Lourdes Grobet, Graciela Iturbide, Toni Kuhn, David Levinthal, Leo Matiz, Pablo Ortiz Monasterio, Enrique Metinides, Arturo Ortega, Miguel Rio Branco, Santiago Sierra, José Trinidad Romero, Paris: Toluca Project (Hardcover, 256 pages, B&W and colour plates, text in French and English).

Update: Book of the week is moving to eyecurious books etc. Look out for new picks there!

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Interview: Joan Fontcuberta, Landscapes without memory

 Joan Fontcuberta, Orogenesis Pollock, 2002.

Joan Fontcuberta, Orogenesis Pollock, 2002.

I first came across Joan Fontcuberta‘s Orogenesis series when I picked up a copy of the Landscapes without memory book in Arles last year. The series is deceptive; these aren’t photographs but computer-generated images created by software renderers that are designed to produce 3D images based on cartographical data. Fontcuberta decided to explore the possibilities of the technology by feeding it misinformation: instead of giving it a map to read, he fed it the visual data contained in famous paintings or pictures of different parts of his anatomy. The results are these “landscapes without memory.”

The thing I like the most about Fontcuberta is his ability to explore philosophical questions on the nature and contemporary practice of photography while remaining engaging and frequently hilarious. I did this interview with him for the Landscapes without memory exhibition which has just opened at Foam in Amsterdam (until 27 February 2011).

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Paris November photo madness round-up

Maurizio Anzeri (The Photographers' Gallery, London)

Maurizio Anzeri (The Photographers' Gallery, London)

As the eyecurious faithful (and anyone who has been in Paris recently) will have noted, this has been a particularly action-packed month for photography in Paris. As I noted in a previous post, there was a bunch of different events going on at once and, as November draws to a close, I thought I would pull together a few brief impressions from the past month of photo-gluttony.

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Book of the Week #4: Michael Wolf, Tokyo Compression

Michael Wolf has just released two new books, Asoue and Tokyo Compression, and I have to admit to having a personal favourite. Tokyo Compression brings together a series of images taken in the Tokyo metro during rush hour. Through a series of portraits of trapped commuters, compressed into jam-packed metal carriages, the book brings to life the claustrophobic hell of urban living at its most basic but also its most extreme. Tokyo Compression is beautifully printed on thick matte stock and Christian Schüle’s blistering essay further drags you down into the bowels of the city. Leafing through the pages of this book, I couldn’t help but hear the voice of Werner Herzog speaking about the Amazonian jungle. “I wouldn’t see anything erotical here. I would see fornication and asphyxiation and choking and fighting for survival and… growing and… just rotting away. Of course, there’s a lot of misery. But it is the same misery that is all around us”. Indeed.

Update: Book of the week is moving to eyecurious books etc. Look out for new picks there!

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The connoisseur, the prankster, the outsider, the lovable rascals and co.

Wired’s Raw File has just posted a list of their favorite photobloggers and eyecurious was lucky enough to make the cut. Pete Brook of Prison Photography, was behind this; he more than deserves his position on this list but was noble enough not to ‘favorite’ himself. This is a great selection which definitely doesn’t just pick the most popular blogs; I’ll confess to not knowing a number of the picks and I’m looking forward to trying to jam more bloggers into my poor RSS reader and heading down some off-the-beaten path information backroads rather than sticking to the ‘superhighway’. The characterisations of the different blogs are spot on and the full cast of characters reads like the line-up for a vaudeville act. Aside from this list, it’s worth keeping an eye on Raw File for “photojournalism, industry issues and cultural output (books, shows, etc)”… hopefully they can help us to look a little beyond the usual horizons of the online photo world.

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Book of the Week #3: Ikko Narahara, The Sky in My Hands

Ikko Narahara is a contemporary of Shomei Tomatsu, Eikoh Hosoe and Kikuji Kawada (with he who formed the short-lived but influential VIVO agency in Tokyo in 1960). He is probably the least well-known of the four in the West, although his book Europe: Where Time Has Stopped has become highly collectible. This is an exhibition catalogue from his recent retrospective at the Shimane Art Museum. The catalogue is as ‘traditional’ as they come, covering his entire career in great detail, with no less than 48 pages (!) of bio (including several pages of personal photos from throughout his life) and a pretty extensive (complete?) bibliography. Although the book isn’t a particularly exciting object in itself, it is a wonderfully detailed resource and a great reminder of how incredibly diverse that work was.

Ikko Narahara, The Sky in My Hands (Soft cover, 308 pages, B&W and colour plates, Japanese text only).

Update: Book of the week is moving to eyecurious books etc. Look out for new picks there!

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